The human fascination with visibility is fully on display in the new series published by Deep Vellum called “Best Literary Translations,” which places translators (thirty-eight of them) and editors (five) center stage—alongside the fifty-two journals who nominated a combined five hundred pieces for consideration. (Let me also point out another occasionally overlooked narrative voice of a book: the copyright page, where it will be clear to you, if it wasn’t already, once you get to the line “used by permission of Metallica,” that you’re in for a treat.)