Author Archives: smilkova

Take me to the Pity Party! Anke Stelling’s “Higher Ground,” Translated from German by Lucy Jones

Resi’s written reactions to her circumstances eventually reveal that her chaotic and humorous take on motherhood is a vehicle for her to obsessively explain and justify the catastrophic falling out she had with her group of closest friends.

A Neapolitan Grandfather on the Edge: Domenico Starnone’s “Trick”

While the protagonist’s relationship with his beloved, unfaithful wife (and his erotic liaison with Mena) remain on the background, along with Saverio’s jealousy towards Betta, the foreground is taken by the scurvy grandfather and his know-it-all four-year-old grandson.

On the Language and Style of Domenico Starnone’s Novels

By Chiara De Caprio Translated from Italian by Rebecca Falkoff Considering the novels and short stories of Domenico Starnone from a linguistic perspective means to bring out the double-edged quality and the internal stratification of their linguistic composition. A reasonable pace and feverish emotional sequences intersect in his works. His style alternates between solitary self-reflection, […]

Love, Death, and Language in Starnone’s “Vita mortale e immortale della bambina di Milano”

On the surface, “Vita mortale e immortale della bambina di Milano” (“Mortal and Immortal Life of the Girl from Milan”), Domenico Starnone’s latest literary gem (Einaudi, October 2021), has a deceptively simple plot. It relays the wondrous deeds of a young boy, Mimì (short for Domenico) who has a morbid curiosity towards death and is also the protagonist of three tragicomic love affairs.

Degrees of Separation: Jhumpa Lahiri’s Translation of Domenico Starnone’s “Trust”

Starnone’s “Trust” often relies on intertextuality, implicitly suggesting that readers tap into their inner literary database as they navigate this text. The novel, like all forms of literature, does not and cannot exist in a vacuum, devoid of symbiotic interaction with the universal œuvre.

Three Stories from Domenico Starnone’s “Fuori Registro”: “The Empty Classroom,” “Once Again,” “Dandelion” 

A few minutes passed, and I felt ill at ease. Then I recited a poem and commented on it, in that loo: “The pensive father with his goatish hair…” 

On Bonds and Baggage: Domenico Starnone’s “Ties”

Starnone captures and dissects a vast array of concerns in a slim volume, neatly structured and tightly plotted, yet at the same time open-ended, without definitive answers or solutions. “Ties,” in other words, packs a lot of baggage into a small container while also leaving the container ajar, like Pandora’s box.

“Via Gemito”: Domenico Starnone’s Ur-Text

From the very beginning, readers are confronted with an exhausting tension between father and son, their antithetic visions threatening at every step to converge and become enmeshed into the furious flow of Mimi’s narrative which, despite his alleged commitment to a serene composure, is far from tidy or calming. That prose is, after all, the exhibition of a carefully performed identity, constructed through repetition of linguistic and paralinguistic gestures, reminding us of Butler’s idea that subjects are the effect of signifying practices and social discourse (Butler 1999).

A Close Encounter with Domenico Starnone

By Andrew Martino Beneath the shadow of the golden dome of the Massachusetts State House on Boston’s Beacon Hill, the Boston Athenaeum sits quietly on a shaded street. To the casual passerby, the building sticks out for its striking architecture in a city increasingly dominated by steel and glass. Inside, some of the most profound […]

The Three Lives of Domenico Starnone

Here I am, you may object, waxing lyrical about an author we publish at Europa Editions. Hypocrite éditeur! However, I write, I swear, not only, and not primarily, as Domenico Starnone’s American publisher, rather as a long-time and ardent admirer of his work. My admiration began with Denti—it was love at first bite. 

“Literature is the Sudden Disintegration of the Verbal Fabric of Everyday Life”: Domenico Starnone in Conversation with Enrica Maria Ferrara and Stiliana Milkova

I love the idea that the city we have left behind enshrines the ghost of the person we could have become, for better or worse, had we stayed there. And I am very fond of the idea that the ghost, which we consider part of us and therefore a friend, may turn out to be frightening or hostile.

The Alphabet of “Via Gemito”: A Photo Essay by Silvio Perrella

One day, a few years ago, Domenico Starnone himself came to my house for a visit. He brought his Via Gemito to my Via Luigia Sanfelice, so to say.

“The Drinkers”: An Excerpt from Domenico Starnone’s “Via Gemito”

My position is all wrong. The water will forever spill onto the tomatoes, the plate, the cloth. My father placed me in a position where, even with Luigi reaching as far as he can, I will never be able to pour the water into his glass.

Domenico Starnone’s “Via Gemito” is Back, as Text and Painting

“Via Gemito” is a bridge. A bridge between two careers, two narrative approaches, two ways of delving into marriage and intolerance, into the defects of love and disappointed expectations.

Divine Experience or Divine Faith? Veronika Haacker-Lukacs Interviews Translator Jozefina Komporaly

Földényi’s The Glance of the Medusa is an astounding encyclopaedia of ancient and early Christian thought. It invites the reader on a historical, mystical and mythical journey encompassing ancient Greek and Egyptian religions as well as the early Christian Mystics and Gnostics to examine experiences bringing human beings and (the) God(s) into such extreme proximity with each other that one might well merge into the other.