Category Essays on Translation
We are stuck in a loop of “reintroducing Natalia Ginzburg.” The current iteration of that loop depends on publishers’ marketing of Ginzburg as a precursor to Elena Ferrante. However, this genealogy arises out of a necessity to sell books; Ginzburg’s relation to her peers—Cesar Pavese, Elsa Morante, Italo Calvino—has far more relevance than the specter of her impact on Ferrante.
By Brandy Harrison It all began with youthful audacity. When someone asked me one day, “What are you reading?,” the answer was War and Peace. There was a pause, a faint flicker of confusion in the face hovering above my own, and then a slower, more tentative second question: “Why . . . are you […]
By Natalia Ginzburg Translated by Minna Zallman Proctor There are people who think that writers make the best translators. I don’t agree. Sometimes writers produce excellent translations, but not always. Translating a beloved text can be a nourishing, invigorating, and vital practice for a writer. As long as the writer thinks of it as a […]
By Katherine Hedeen For those of us who translate poetry, any book that mentions the endeavor—and in the title no less—immediately sparks our interest. Poetry in translation is often lost (to play on Frost’s famous quip) in the shuffle of an exciting and well-deserved moment of recognition for literary translation. (Consider the recently revamped International […]