Tag Archives: Poetry
“Free falling through the subconscious”: Pablo Neruda’s “venture of the infinite man,” translated from Spanish by Jessica Powell
Reviewed by Arielle Avraham Pablo Neruda (1904-1973) remains one of the best-known South American poets of the 20th century, with copies of his most famous books selling in the millions, and two biographies published about him. His life is the stuff of legend. Born in a rural town in Chile, he began writing poetry as […]
A Scrapbook of “Memorial Clippings”: “My Lai” by Carmen Berenguer, translated from Spanish by Liz Henry
Reviewed by Kelsi Vanada It feels as though the pages of Chilean poet Carmen Berenguer’s My Lai, translated into English by Liz Henry, originated in a scrapbook or journal kept over many years—picked up, loose pages shaken out, and gathered up again quickly and out of order. This sensation is augmented by the inclusion of […]
Catharsis, Grief, and the Beauty of Nature: Less Like a Dove By Agi Mishol, Translated by Joanna Chen
Reviewed by Gwen Ackerman Agi Mishol is as one of Israel’s most beloved poets. The recipient of numerous awards including the Israeli Prime Minister’s Prize, the Yehuda Amichai Prize for Hebrew Poetry, and the Lerici-Pea Prize in Italy, she has taught in programs and schools throughout Israel. Her work has been translated into several languages, […]
Transparent Hours: Eunice Odio’s Territory of Dawn. Selected Poems, Translated by Keith Ekiss, Sonia P. Ticas, and Mauricio Espinoza
Reviewed by Jessica Sequeira It seems a terrible irony: a poet who primarily dedicated her work to a Beloved, one whose verses seem written with joy and melancholy rather than malice, is born with a surname that means hate. But no, already it’s a mistake to start from signification. Let’s think into this a different […]
Sugar castles: I Remember Nightfall by Marosa di Giorgio, translated by Jeannine Marie Pitas
Reviewed by Jessica Sequeira The poems of Uruguayan writer Marosa di Giorgio (1932 – 2004) are luscious, dark and gorgeous — but they also leave the reader with a sickly taste, an effect similar to that following the rapid consumption of a bag of sticky sweets, gulped down one after another while in thrall to […]
Hothouse Flower: Olvido García Valdés’s And We Were All Alive, translated by Catherine Hammond
Reviewed by Jessica Sequeira “There were those who compared her to Santa Teresa, others who said she was too serious, even sullen, and people who swore her pride was chilling to those who met her,” wrote Roberto Bolaño of Olvido García Valdés. When he read her work, however, it “dazzled [him] the way that only […]
“island under our skin”: tasks by Víctor Rodríguez Núñez, translated by Katherine M. Hedeen
Reviewed by Kelsi Vanada I often find myself explaining my desire to translate by expressing that it is an inherently collaborative project, one in which my voice gets to support another’s. tasks, which was longlisted for the 2017 Best Translated Book Award, is the most recent, luminous product of years of collaboration between poet Víctor […]
Kernel of the Future: Hirato Renkichi’s Spiral Staircase, Translated by Sho Sugita
Reviewed by Jordan A. Y. Smith Spiral Staircase, an engaging collection of poems and works by the dynamo of Japanese futurism, Hirato Renkichi, ably fulfills the translator and editor’s declared mission: “providing English-language readers a focused survey of Hirato’s life-long literary output” (8). Considering the brevity of his life (1893-1922), Hirato accomplished much, experimenting with […]
Forrest Gander on editing untranslatable poet Yoshimasu Gozo
Yoshimasu Gozo is a one-of-a-kind artist. While he’s usually referred to as a poet, such a categorization almost always comes with some sort of qualification. His work is often called “unconventional” or “unorthodox.” Others stress that his poetry draws heavily from performance, music, and/or multimedia art. In a word, he writes the sort of poetry that’s […]
Invisible Currents: Kyn Taniya’s Radio, Translated by David Shook
Reviewed by Brian McLaughlin As Arthur C. Clarke famously stated, “Any sufficiently advanced technology is indistinguishable from magic,” a claim which has obviously assumed the status of proverb, not only in science fiction but also in any vein of cultural criticism. Yet, as early as 1924, Mexican poet Kyn Taniya was already demonstrating the truth […]
