Category Spanish

Art and Politics: María Negroni’s “The Annunciation,” translated by Michelle Gil-Montero

In this deeply philosophical, semi-autobiographical novel, acclaimed Argentine poet Negroni explores a question that has figured in her writing for decades: the relationship between the aesthetic and the ethical, the poetic and the political.

Nostalgia as Oblivion in Nelson Simòn’s “Itinerary of Forgetting,” Translated from Spanish by Lawrence Schimel

By Cal Paule It’s funny, but I forgot where I left my copy of this book. It’s lost for now, but luckily I have a pdf version. If, though, it were the memory of the exact color of my mother’s hair, or the angles of a roofline above my hometown, I might not be as […]

On Gender, Pseudonyms, and Authorship: Eloy Tizón, “The Names” and Greta Alonso, “A Shield, a Shelter, a Place to Hide,” Translated by Dorothy Potter Snyder

The essays that follow were written by Spanish writers Eloy Tizón and Greta Alonso in response to a question put to them by El Cultural: “Women writers past and present: Is publishing under a pseudonym necessary anymore, or is it just another marketing tool?” I found great beauty and insight in their responses and so […]

Foreign Bodies: Margarita García Robayo’s “Holiday Heart,” translated from Spanish by Charlotte Coombe

The uncomfortable, ailing human body is foregrounded in this thematically dense novel, a fable about problematic motherhood and the hard labor of forging epistemological change in the 21st century.

Live on August 31, 2020: Special Issue on Elena Ferrante’s New Novel “The Lying Life of Adults,” Translated by Ann Goldstein

Elena Ferrante and the Question of Gender, Pseudonyms, and Authorship

Anna Karenina, Recomposed: Carmen Boullosa’s “The Book of Anna,” translated from Spanish by Samantha Schnee

The Book of Anna hinges on a paradoxical fantasy: rescuing Anna Karenina from Tolstoy.

On Sex and Death: Vicente Huidobro’s “Skyquake: Tremor of Heaven,” co-translated from Spanish by Ignacio Infante and Michael Leong

Composed as twin originals in Spanish and French between 1928 and 1931, this roving long prose poem witnesses the perpetual, agonized yearning of separated lovers seeking one another across eternity and infinity, where they collide—gloriously—on occasion, before scattering through the universe once again.

Foreign to Literature: Humor, Allusion, and Exophony in Aleksandra Lun’s “The Palimpsests,” Translated by Elizabeth Bryer

By Patrick Powers When I first read Elizabeth Bryer’s translation of Aleksandra Lun’s debut novel, The Palimpsests, back in January, I didn’t like it very much. I didn’t know what to say about it, so I didn’t write anything. After a few months, having left for and returned home from Russia after the onset of the global pandemic, […]

A Terrible Beauty is Born: Fernanda Melchor’s “Hurricane Season,” Translated from Spanish by Sophie Hughes

By Emma B. B. Doyle The title of Fernanda Melchor’s Hurricane Season (La temporada de huracanes), translated by Sophie Hughes, takes its name from the many months in Mexico when you can look up at the sky and expect it to explode at any moment. This reliable forecast of disaster carries a similar tension to […]

Cardboard Conscious: Translation in Community

By Kelsi Vanada My favorite books of translated poetry to hold in my hands are no ordinary paperbacks: they are made of cardboard and screen-printed cardstock and hand-sewn signatures, crafted by independent publisher Cardboard House Press (CHP)’s Cartonera Collective in Phoenix, Arizona. I delight in handling them, rotating them to read the poems placed horizontally […]