Tag Archives: Europa Editions

Translation is a Performance of Language: An Interview with Translator and Poet Will Schutt

I’m not sure there’s an Italian word for microaggression. If there is, it is probably lifted from americano.

The Lying Life of Narrators

It seems hardly coincidental that Ferrante, whose own “true” identity has been the object of intense scrutiny and speculation, chooses to underscore the act of crafting a fiction about oneself.

Innocence Redeemed

By Richard Carvalho The Lying Lives of Adults starts with a misunderstanding: Giovanna, the protagonist, is 12. She is well into puberty, having been menstruating for a year. Her breasts seem to her over-large encumbrances inviting men’s unwelcome interest, and her burgeoning body is a profound source of shame. She hears her father say, prompted […]

The Gospel According to Elena Ferrante

As she probes the association of God with forces of repression and domination, Giovanna condemns the patriarchal nature of her relationship with Andrea.

Alone With Language

By David Kurnick You could tell it like a fairy tale: a malevolent father who curses his daughter with ugliness; a comely prince who, some difficult years later, lifts the curse by praising the girl’s beauty. An enchanted bracelet, invested with mysterious power by the father’s hated and feared sister, who practices the “terrible arts” […]

Under His Watchful Eye: Family and Power in “The Lying Life of Adults”

The Lying Life of Adults is about the often-subtle ways men wield their power over women.

Elusions and Disillusions

Reading Elena Ferrante’s latest novel from this place of incertitude is consequently a puzzling, if not uncanny experience.

The Truth that Lies Behind the Lies

Elena Ferrante’s new novel, The Lying Life of Adults, is intense and bitter.

Live on August 31, 2020: Special Issue on Elena Ferrante’s New Novel “The Lying Life of Adults,” Translated by Ann Goldstein

Elena Ferrante and the Question of Gender, Pseudonyms, and Authorship

The Global Novel and Elena Ferrante’s Uncanny Underground Realism: Tiziana de Rogatis’ “Elena Ferrante’s Key Words,” translated from Italian by Will Schutt

By Isabella Pinto Translated from Italian by Rebecca Walker The long-awaited English language version of Tiziana de Rogatis’ Elena Ferrante’s Keywords, recently published by Europa Editions, has been made possible thanks to the work of translator Will Schutt. The volume is ordered thematically by keyword, and is divided into seven chapters, preceded by a comprehensive […]

Framing by Fragmentation: Elena Ferrante’s “Incidental Inventions,” Translated from Italian by Ann Goldstein

By Stiliana Milkova The timing of Elena Ferrante’s Incidental Inventions is impeccable – it offers us an aperitivo before we can delve into her new novel scheduled to come out in English translation in June 2020. While we wait, we can flip leisurely through the pages of Incidental Inventions, translated from Italian by Ann Goldstein, and already in bookstores. […]

The Mother of All Questions: Donatella di Pietrantonio’s “A Girl Returned,” translated from Italian by Ann Goldstein

By Barbara Halla “Motherhood,” writes Jacqueline Rose in her book Mothers: An Essay on Love and Cruelty, “is … the place in our culture where we lodge, or rather bury, the reality of our conflicts, of what it means to be fully human” (1). More than one century of Italian literature has grappled precisely with […]

Me, She, I, Too: Adélaïde Bon’s “The Little Girl on the Ice Floe,” Translated from French by Tina Kover

Content Warning: Sexual Violence, Rape By Alec Joyner Over the last few years, more and more novels, memoirs, and books of poetry have begun to plumb the depths—the intricate, historically entrenched structures of sexual violence—that extend far beneath the #MeToo hashtag. These books are making a case, implicitly, for the ongoing value of literature, a […]

Authorial Women: The Gender of Character Construction in Hiromi Kawakami’s “The Ten Loves of Nishino,” Translated from Japanese by Allison Markin Powell

This month, in memory of our contributor Professor Jed Deppman who founded the Oberlin College Translation Symposium, instituted a literary translation minor, and taught courses in literary translation and comparative literature, we are featuring three reviews by Oberlin College Comparative Literature graduates and students, taught and trained by Professor Deppman and other Oberlin College faculty. Professor […]

Laughter in the Gulag: “Sacred Darkness,” Translated from Russian by Brian James Baer and Ellen Vayner

By Dimiter Kenarov Looking back at the Soviet Union, nearly three decades after its demise, I can’t shake off the feeling of vertigo. That terrifying whale of an empire, whose blubber once stretched over a sixth of the landmass and most of the twentieth century, seems like a distant memory now, a mythical creature that […]