Tag Archives: New Directions

“Drawing a Blank”: Hiroko Oyamada’s “The Hole,” translated from Japanese by David Boyd
By Alex Andriesse It’s not always clear what is happening in Hiroko Oyamada’s The Hole, but by the time the reader notices how little he understands, he is too immersed in the novel to put it down. Obviously, I am speaking in the third person about my own experience, but I doubt that this experience […]

A Terrible Beauty is Born: Fernanda Melchor’s “Hurricane Season,” Translated from Spanish by Sophie Hughes
By Emma B. B. Doyle The title of Fernanda Melchor’s Hurricane Season (La temporada de huracanes), translated by Sophie Hughes, takes its name from the many months in Mexico when you can look up at the sky and expect it to explode at any moment. This reliable forecast of disaster carries a similar tension to […]

Forrest Gander on editing untranslatable poet Yoshimasu Gozo
Yoshimasu Gozo is a one-of-a-kind artist. While he’s usually referred to as a poet, such a categorization almost always comes with some sort of qualification. His work is often called “unconventional” or “unorthodox.” Others stress that his poetry draws heavily from performance, music, and/or multimedia art. In a word, he writes the sort of poetry that’s […]

Narration Between Species: Yoko Tawada’s Memoirs of a Polar Bear, Translated by Susan Bernofsky
Reviewed by Jordan A. Y. Smith [Tawada’s Memoirs of a Polar is one of those novels that makes one loathe to reveal not only the ending but the beginning, so I will open with my clichéd but earnest recommendation that you trust me—and Tawada’s stellar and well-earned reputation—go read the novel, then continue reading this […]