Anyone who is interested in Kafka—which is to say pretty much everyone who is interested in literature—will be curious to read the “lost writings” of a man who famously, at the time of his death, wanted all of his unpublished work destroyed.

Before the story begins, Bosco alludes to a number of pages omitted from the novel and reserved for that moment when “someone truly qualified” might gain access. And so Malicroix puzzles and conceals even after it is closed.

By Alex Andriesse It’s not always clear what is happening in Hiroko Oyamada’s The Hole, but by the time the reader notices how little he understands, he is too immersed in the novel to put it down. Obviously, I am speaking in the third person about my own experience, but I doubt that this experience […]

By Sheera Talpaz “Try to remember some details,” implores the speaker of one of Israeli poet Yehuda Amichai’s well-known poems (Amichai, 318). In translation, it’s impossible to tell that the original Hebrew recalls the Passover Haggadah’s Rabbi Yehuda (naturally), who proffered a mnemonic for the ten plagues, brutal punishments that God memorably rained down on […]

The novel falls within the greater readiness in French culture to reckon with the nation’s anti-Semitic past than its colonialism.

A novel that traverses generic as well as geographic and historical boundaries, Uncertain Manifesto switches, from chapter to chapter, between autobiography, essay, illustrated novel, history, literary analysis and fable-like fiction.

By Kelsi Vanada Harper Lee’s To Kill a Mockingbird is, for me, a prime example of a book with a child narrator that’s often included in literature curricula for middle schoolers, but which in many ways speaks to an adult audience. I taught at a small K-8 school for a few years right out of […]

Reading Elena Ferrante’s latest novel from this place of incertitude is consequently a puzzling, if not uncanny experience.

The Lying Life of Adults is about the often-subtle ways men wield their power over women.

The essays that follow were written by Spanish writers Eloy Tizón and Greta Alonso in response to a question put to them by El Cultural: “Women writers past and present: Is publishing under a pseudonym necessary anymore, or is it just another marketing tool?” I found great beauty and insight in their responses and so […]