Category Russian
Kazakh Künstlerroman: Talasbek Asemkulov’s “A Life at Noon,” translated by Shelley Fairweather-Vega
By Katherine E. Young Talasbek Asemkulov’s A Life at Noon, translated into English by Shelley Fairweather-Vega, is an artistically risky enterprise. Billed as the first post-Soviet novel from Kazakhstan to appear in English, A Life at Noon is a lightly fictionalized autobiography of one of Kazakhstan’s leading artists. Author Talasbek Asemkulov (1955-2014) was known as […]
Always to Seek: On Reading Russian Literature in Translation
By Brandy Harrison It all began with youthful audacity. When someone asked me one day, “What are you reading?,” the answer was War and Peace. There was a pause, a faint flicker of confusion in the face hovering above my own, and then a slower, more tentative second question: “Why . . . are you […]
B-Sides and Rarities: “Fifty-Two Stories by Anton Chekhov,” Translated by Richard Pevear and Larissa Volokhonsky
In short, this is not the “greatest hits” compilation we have come to expect from translated collections of short prose. The question becomes, then, what is it?
Marina and Me: Nina Kossman’s “Other Shepherds: Poems with Translations from Marina Tsvetaeva”
If you know Tsvetaeva well, it’s hard not to reconstruct the original mentally while reading the translation.
A Curse on All Dissidents? An Interview with editor and translator Anatoly Kudryavitsky
By Ainsley Morse The collection Accursed Poets: Dissident Poetry from Soviet Russia (Smokestack Books, 2020) presents a bilingual selection of late-Soviet-era work from eighteen Russian-language poets. The poets’ work is featured in alphabetical order: Gennady Aigi, Yuri Aikhenvald, Yuli Daniel, Vladimir Earl(e), Yuri Galanskov, Natalia Gorbanevskaya, Igor Kholin, Viktor Krivulin, Evgeny Kropivnitsky, Viktor Nekipelov, Vsevolod […]
Across a Threshold: Olga Livshin’s “A Life Replaced, Poems with Translations from Anna Akhmatova and Vladimir Gandelsman”
By Lev Fridman There is this edge, where some of us recall childhood’s voices. –– There is an edge, Mama i Papa –– where we wake up in the car with a travel mug to recall a Country. ––No, not That Country of the Present slowly invading this one.–– […]
Voices of the Post-Soviet Intellectual: Maxim Osipov’s “Rock, Paper, Scissors,” Translated from Russian by Boris Dralyuk, Alex Fleming, and Anne Marie Jackson
By Jonathan Stone The Grannies took the most practice. There were three of them, and as I prepared to read out loud Alex Fleming’s translation of Osipov’s essay “The Cry of The Domestic Fowl,” I kept vacillating between voices. The one who’s in the worst health hears and sees things: “Yuri, is that you?” she’ll […]
Laughter in the Gulag: “Sacred Darkness,” Translated from Russian by Brian James Baer and Ellen Vayner
By Dimiter Kenarov Looking back at the Soviet Union, nearly three decades after its demise, I can’t shake off the feeling of vertigo. That terrifying whale of an empire, whose blubber once stretched over a sixth of the landmass and most of the twentieth century, seems like a distant memory now, a mythical creature that […]
Polyphonic Transpositions: Pavel Arseniev’s “Reported Speech,” translated from Russian by Thomas Campbell, Cement Collective, Jason Cieply, Ian Dreiblatt, Ronald Meyer, Ainsley Morse, Ingrid Nordgaard, Anastasiya Osipova, Lia Na’ama Ten Brink
By Molly Thomasy Blasing From its very first pages, Pavel Arseniev’s Reported Speech shows itself to be true to its title; the opening poem’s epigraph comes to us, we are told, from an “Instruction in the platzkart train car” (15). This is only the beginning of a journey through a trail of words found, mixed […]
“The Storm”: A Sweet, Searing Counterpart to Leonid Yuzefovich’s “Horsemen of the Sands,” Translated from Russian by Marian Schwartz
By Sabrina Jaszi Leonid Yuzefovich’s novella The Storm details the minutely calibrated network of emotions and ideology underlying daily life at a Soviet primary school in the Urals. An early work by Yuzefovich who gained prominence in the last two decades for his detective novels set in 19th century Russia, a period which he also […]
On Akhmatova’s Couch: “Relative Genitive: Poems with Translations from Osip Mandelstam & Vladimir Mayakovsky,” by Val Vinokur
by Jonathan Stone In a way, Relative Genitive should get three reviews: as Val Vinokur’s translation of eighteen poems by Osip Mandelshtam, as Val Vinokur’s translation of seven (mostly longer) poems by Vladimir Mayakovsky, and as a collection of thirty eight poems by Val Vinokur. However, the artfulness with which Vinokur fuses and navigates those […]
Access & Aesthetics: An Interview with Luis de Miranda, Haute Culture Books
The young and exciting Haute Culture Books has already made a name for itself with its innovative take on the participative publishing model. Governed by the philosophy “digital books should be free, physical books should be sublime,” HCB rewards its “Book Angels” with beautifully crafted art object limited editions that subsidize the wide distribution of […]