Category Russian
Laughter in the Gulag: “Sacred Darkness,” Translated from Russian by Brian James Baer and Ellen Vayner
By Dimiter Kenarov Looking back at the Soviet Union, nearly three decades after its demise, I can’t shake off the feeling of vertigo. That terrifying whale of an empire, whose blubber once stretched over a sixth of the landmass and most of the twentieth century, seems like a distant memory now, a mythical creature that […]
Polyphonic Transpositions: Pavel Arseniev’s “Reported Speech,” translated from Russian by Thomas Campbell, Cement Collective, Jason Cieply, Ian Dreiblatt, Ronald Meyer, Ainsley Morse, Ingrid Nordgaard, Anastasiya Osipova, Lia Na’ama Ten Brink
By Molly Thomasy Blasing From its very first pages, Pavel Arseniev’s Reported Speech shows itself to be true to its title; the opening poem’s epigraph comes to us, we are told, from an “Instruction in the platzkart train car” (15). This is only the beginning of a journey through a trail of words found, mixed […]
“The Storm”: A Sweet, Searing Counterpart to Leonid Yuzefovich’s “Horsemen of the Sands,” Translated from Russian by Marian Schwartz
By Sabrina Jaszi Leonid Yuzefovich’s novella The Storm details the minutely calibrated network of emotions and ideology underlying daily life at a Soviet primary school in the Urals. An early work by Yuzefovich who gained prominence in the last two decades for his detective novels set in 19th century Russia, a period which he also […]
On Akhmatova’s Couch: “Relative Genitive: Poems with Translations from Osip Mandelstam & Vladimir Mayakovsky,” by Val Vinokur
by Jonathan Stone In a way, Relative Genitive should get three reviews: as Val Vinokur’s translation of eighteen poems by Osip Mandelshtam, as Val Vinokur’s translation of seven (mostly longer) poems by Vladimir Mayakovsky, and as a collection of thirty eight poems by Val Vinokur. However, the artfulness with which Vinokur fuses and navigates those […]
Access & Aesthetics: An Interview with Luis de Miranda, Haute Culture Books
The young and exciting Haute Culture Books has already made a name for itself with its innovative take on the participative publishing model. Governed by the philosophy “digital books should be free, physical books should be sublime,” HCB rewards its “Book Angels” with beautifully crafted art object limited editions that subsidize the wide distribution of […]
