By Katrin Wehling-Giorgi In recent years, partly abetted by the phenomenal global and transmedial success of Elena Ferrante’s works, Natalia Ginzburg’s novels and short stories have undergone a major revival and rediscovery, leading to a number of (re-)translations and increasing attention by a new transnational readership.[1] As a translator herself (of Proust, Vercors, Flaubert, among […]