By Ena Selimović In a review in The Guardian, Ranka Primorac argued that the “best of Croatia’s post-independence writing” challenges what she described as a “dualist (sunny beaches vs. nasty politics, ‘backward’ Croatia vs. ‘modern’ EU) mode of thinking.” Alongside the works of Zoran Ferić and Slavko Goldstein, Maša Kolanović’s Sloboština Barbie exemplified for Primorac […]