Tag Archives: "The Shattered House"

Natalia Ginzburg

“The Shattered House”: Lynne Sharon Schwartz on Natalia Ginzburg

nstead of by century or by literary movement, writers of fiction might be classified by times of day or slants of light. Tolstoy would fall under the clarity of high noon, Dostoievski  the hysteria of three a.m. Natalia Ginzburg’s pervasive wit and minute details would suggest a morning sensibility, while her repetitions and obsessiveness feel nocturnal. In the end, though, she is crepuscular, like Chekhov.

Natalia Ginzburg

A Short History of “Reintroducing Natalia Ginzburg”

We are stuck in a loop of “reintroducing Natalia Ginzburg.” The current iteration of that loop depends on publishers’ marketing of Ginzburg as a precursor to Elena Ferrante. However, this genealogy arises out of a necessity to sell books; Ginzburg’s relation to her peers—Cesar Pavese, Elsa Morante, Italo Calvino—has far more relevance than the specter of her impact on Ferrante.