Tag Archives: Cardboard House Press

Cardboard Conscious: Translation in Community
By Kelsi Vanada My favorite books of translated poetry to hold in my hands are no ordinary paperbacks: they are made of cardboard and screen-printed cardstock and hand-sewn signatures, crafted by independent publisher Cardboard House Press (CHP)’s Cartonera Collective in Phoenix, Arizona. I delight in handling them, rotating them to read the poems placed horizontally […]

Slipknots: Jorge Eduardo Eielson’s “Room in Rome,” translated from Spanish by David Shook
By Olivia Lott Room in Rome introduces English-language readers to the work of essential Peruvian poet Jorge Eduardo Eielson (Lima, 1924––Milan, 2006) through David Shook’s translation. A member of Peru’s “Generation of 1950,” Eielson is best known for his borderless aesthetic practice, which includes poetry, narrative, theater, visual arts, performances or “actions,” and syntheses that […]

Hothouse Flower: Olvido García Valdés’s And We Were All Alive, translated by Catherine Hammond
Reviewed by Jessica Sequeira “There were those who compared her to Santa Teresa, others who said she was too serious, even sullen, and people who swore her pride was chilling to those who met her,” wrote Roberto Bolaño of Olvido García Valdés. When he read her work, however, it “dazzled [him] the way that only […]

Invisible Currents: Kyn Taniya’s Radio, Translated by David Shook
Reviewed by Brian McLaughlin As Arthur C. Clarke famously stated, “Any sufficiently advanced technology is indistinguishable from magic,” a claim which has obviously assumed the status of proverb, not only in science fiction but also in any vein of cultural criticism. Yet, as early as 1924, Mexican poet Kyn Taniya was already demonstrating the truth […]

Not One: Asymmetries. Anthology of Peruvian Poetry by Cardboard House Press
Reviewed by Charlotte Whittle Asymmetries, an anthology of Peruvian poetry produced by new bilingual press Cardboard House, introduces readers to an extraordinary diversity of voices that represent the course of Peruvian poetry since the post-avant-garde moment of the 1940s. Edited by Paul Guillén, Giancarlo Huapaya, Cristian Medina, and Maggie Messerschmidt, the collection includes the work […]