Tag Archives: Sergio Pitol
A Trick of the Tale: Reading and Traveling in Sergio Pitol’s “Taming the Divine Heron,” translated from Spanish by George Henson
“Taming the Devine Heron” is Henson’s sixth translation of books by Pitol. It’s also the second of his trilogy “The Love Parade.” The novel is a major work exhibiting Pitol’s cosmopolitan sensibilities. It’s also a meta-narrative that highlights the self-reflection so evident throughout his oeuvre. Pitol’s literary works are grounded in a type of hybridity that combines fiction, memoir, travel narrative, and biography, to name a few genres. In fact, the entire novel could be read as an exercise in literary imagination, which knows no borders and whose boundary is exclusively contained by the human capacity to wonder.
It’s All Relative: The Multifold Self in Sergio Pitol’s “The Love Parade,” Translated from Spanish by G.B. Henson
“The Love Parade” is like a Japanese fan that slowly opens, revealing a beautifully painted landscape while still concealing the face behind it. What we learn about Miguel del Solar is divulged by the huge cast of characters he interviews for his book, each of whom embodies a fragment of his past. He is investigating a murder (or murders) that took place at the Minerva building where he lived as a child, a European-style mini-castle built in 1908 to house the representatives of foreign governments in Mexico City.