Category Russian
Tolstoy Would Be Absolutely Outraged: Olga Kenton in Conversation with Nicolas Pasternak Slater and Maya Slater on Translating “Anna Karenina”
Nicolas Pasternak-Slater and Maya Slater have recently completed their translation of one of Tolstoy’s best-known and most widely read novels, “Anna Karenina” (scheduled to be published in 2026 by the Folio Society). In this interview, Olga Kenton discusses with them the novel, obstacles that arose during the translation process, and the significance of engaging with Russian literature in the twenty-first century.
Decolonizing the Caucasus: the Curious Case of Akram Aylisli
How could a Russian speaker who has never been to Azerbaijan, who is not a specialist on the country or even the region, become the English language voice of Azerbaijan’s most important writer? The answer, of course, lies in a single, fraught word: colonialism.
On the Problem of Determining the Essence of Translation
To the extent to which translation is a new re-play, a re-shaping of the given material according to the universal language rules, it is, in principle, just as independent as the original. It is simply that same original, only re-cast in a new form, and continuing to live in that new form. The original appears to be original only outwardly, in a temporal sense. In essence, that is, in its relation to the possibilities of human speech, it is not more original than the translation. The original is lost, imprisoned in its private form. Translatability rescues it from those constraints.
Bibikhin’s Task of the Translator
Vladimir Veniaminovich Bibikhin (1938-2004) was a philosopher, translator, and philologist. During the 1970s and 1980s, Bibikhin established himself as a prominent translator of the most complex philosophical, theological, and literary texts, and as a widely respected humanitarian scholar of a rare and extensive erudition. His translations were remarkable not only as philological, but also as philosophical achievements, as they aggressively revised the principles of text interpretation, typical of the Russian tradition of philosophical translation—something that made many of his contemporaries suspicious of his theoretical and ideological proclivities.
ECLIPSES LARGE AND SMALL: LYUDMYLA KHERSONSKA’S “TODAY IS A DIFFERENT WAR,” TRANSLATED FROM RUSSIAN BY OLGA LIVSHIN, ANDREW JANCO, MAYA CHHABRA, AND LEV FRIDMAN
Lyudmyla Khersonska’s collection “Today is a Different War” (Arrowsmith Press, 2023) focuses on the way domestic life has been affected and eclipsed by the full-scale invasion of Ukraine in 2022. Khersonska’s poems bring shimmering emotion to the brutality. Her style is easily accessible in a way that invites the reader to trust the poet. The reader becomes part of the poetic world as well as an occasional addressee.
Always Against: On Translating the Punk Rock Lyrics of Egor Letov
Although the prospect of analyzing Soviet punk rock in an academic context thrilled me, it also presented me with a daunting task, one into which I had made only a few brief forays: translating Letov’s work into English. At the same time as I hoped that my research would focus more on the political aspects of Letov’s song texts rather than their poetic devices or any intrinsic literary value, a large part of my work hinged on examining his lyrics. By translating them, I could lend credence to my argument to speakers of Russian and English alike.
Dreams of a Pan-European Fantasy Literature: Andrei Bely’s “The Symphonies,” Translated from Russian by Jonathan Stone
Collectively, The Symphonies offer a glimpse into the cradle of Bely’s art: less fully achieved than his mature novels, but closer to a common source in the author’s twisted and escapist imagination. Marrying naïve cliché and bold innovation, always diversely energetic but always grinding the same gears, these experimental works are a storehouse of raw material that draws on the early poems and feeds into the more masterful accomplishments to come.
Kazakh Künstlerroman: Talasbek Asemkulov’s “A Life at Noon,” translated by Shelley Fairweather-Vega
By Katherine E. Young Talasbek Asemkulov’s A Life at Noon, translated into English by Shelley Fairweather-Vega, is an artistically risky enterprise. Billed as the first post-Soviet novel from Kazakhstan to appear in English, A Life at Noon is a lightly fictionalized autobiography of one of Kazakhstan’s leading artists. Author Talasbek Asemkulov (1955-2014) was known as […]
Always to Seek: On Reading Russian Literature in Translation
By Brandy Harrison It all began with youthful audacity. When someone asked me one day, “What are you reading?,” the answer was War and Peace. There was a pause, a faint flicker of confusion in the face hovering above my own, and then a slower, more tentative second question: “Why . . . are you […]
B-Sides and Rarities: “Fifty-Two Stories by Anton Chekhov,” Translated by Richard Pevear and Larissa Volokhonsky
In short, this is not the “greatest hits” compilation we have come to expect from translated collections of short prose. The question becomes, then, what is it?
Marina and Me: Nina Kossman’s “Other Shepherds: Poems with Translations from Marina Tsvetaeva”
If you know Tsvetaeva well, it’s hard not to reconstruct the original mentally while reading the translation.
A Curse on All Dissidents? An Interview with editor and translator Anatoly Kudryavitsky
By Ainsley Morse The collection Accursed Poets: Dissident Poetry from Soviet Russia (Smokestack Books, 2020) presents a bilingual selection of late-Soviet-era work from eighteen Russian-language poets. The poets’ work is featured in alphabetical order: Gennady Aigi, Yuri Aikhenvald, Yuli Daniel, Vladimir Earl(e), Yuri Galanskov, Natalia Gorbanevskaya, Igor Kholin, Viktor Krivulin, Evgeny Kropivnitsky, Viktor Nekipelov, Vsevolod […]
Across a Threshold: Olga Livshin’s “A Life Replaced, Poems with Translations from Anna Akhmatova and Vladimir Gandelsman”
By Lev Fridman There is this edge, where some of us recall childhood’s voices. –– There is an edge, Mama i Papa –– where we wake up in the car with a travel mug to recall a Country. ––No, not That Country of the Present slowly invading this one.–– […]
Voices of the Post-Soviet Intellectual: Maxim Osipov’s “Rock, Paper, Scissors,” Translated from Russian by Boris Dralyuk, Alex Fleming, and Anne Marie Jackson
By Jonathan Stone The Grannies took the most practice. There were three of them, and as I prepared to read out loud Alex Fleming’s translation of Osipov’s essay “The Cry of The Domestic Fowl,” I kept vacillating between voices. The one who’s in the worst health hears and sees things: “Yuri, is that you?” she’ll […]
Laughter in the Gulag: “Sacred Darkness,” Translated from Russian by Brian James Baer and Ellen Vayner
By Dimiter Kenarov Looking back at the Soviet Union, nearly three decades after its demise, I can’t shake off the feeling of vertigo. That terrifying whale of an empire, whose blubber once stretched over a sixth of the landmass and most of the twentieth century, seems like a distant memory now, a mythical creature that […]