Tag Archives: Minna Zallman Proctor
We are stuck in a loop of “reintroducing Natalia Ginzburg.” The current iteration of that loop depends on publishers’ marketing of Ginzburg as a precursor to Elena Ferrante. However, this genealogy arises out of a necessity to sell books; Ginzburg’s relation to her peers—Cesar Pavese, Elsa Morante, Italo Calvino—has far more relevance than the specter of her impact on Ferrante.
By Natalia Ginzburg Translated by Minna Zallman Proctor There are people who think that writers make the best translators. I don’t agree. Sometimes writers produce excellent translations, but not always. Translating a beloved text can be a nourishing, invigorating, and vital practice for a writer. As long as the writer thinks of it as a […]
By Minna Zallman Proctor In 1963, Natalia Ginzburg’s seminal, miraculous, autobiographical novel, Lessico famigliare (Family Lexicon), came out in Italy and was an instant hit—selling over 86,000 copies that first year and going into five reprints. Then ten years passed before Caro Michele (Happiness, As Such). The decade-long gap between novels is not the result […]
Translators’ Introduction Sandra Petrignani is an acclaimed Italian writer and journalist, the author of many novels, collections of short stories, and volumes of non-fiction, including a biography of Marguerite Duras and a biography of Natalia Ginzburg, La corsara. Ritratto di Natalia Ginzburg (Neri Pozza, 2018). In her biography of Natalia Ginzburg, Sandra Petrignani draws on her […]
As part of our special issue “Reading Natalia Ginzburg,” we are featuring an excerpt from the English translation of Sandra Petrignani’s biography of Natalia Ginzburg, La corsara. Ritratto di Natalia Ginzburg (Neri Pozza 2019). The passages excerpted here are from chapter six, “History’s Inexorable Demands,” and are published with Sandra Petrignani’s permission and courtesy of […]