Category Caribbean
Expanding Translation Routes in the Caribbean: Music, Memory, and the Sea in Alecia McKenzie’s “Marins désarmés/Unarmed Mariners” and Daniel Thaly’s “Looting Hummingbirds”
The recent publication of Jamaican writer Alecia McKenzie’s Marins désarmés/Unarmed Mariners (Vieux-Habitants, Guadeloupe: Atlantiques déchaînés, 2025) alongside Dominican poet Daniel Thaly’s Looting Hummingbirds (London & Trafalgar, Dominica: Papillote Press, 2026) offers an opportunity to reflect on contemporary Caribbean poetry’s engagements with mobility, memory, and translation. While distinct in form and emphasis, both collections are bilingual, pairing each source text with a parallel translation: McKenzie’s collection presents English poems alongside French translations by C. and S. Renard, whereas Thaly’s selected poems present French texts alongside English translations by Mark Andrews and Lizabeth Paravisini-Gebert, who also co-edited the volume.
Translating “The Mermaid of Black Conch,” an interview with Gerty Dambury
Through this brief overview of Dambury’s work, I wish to show how her work operates at the intersection of linguistic, cultural and historical worldscapes, powerfully manifesting the archipelagic francospheres this issue seeks to amplify. And unsurprisingly, my conversation with Gerty Dambury about her translation of British-Trinidadian author Monique Roffey’s novel The Mermaid of Black Conch (2020), published in French by Montréal-based publisher Mémoires d’encrier in 2023 as La Sirène de Black Conch, centered on the challenges of rendering distinctive forms of speech, navigating complex identities, and creating spaces for linguistic, cultural and literary cross-pollination.