Author Archives: lschell
Transparent Hours: Eunice Odio’s Territory of Dawn. Selected Poems, Translated by Keith Ekiss, Sonia P. Ticas, and Mauricio Espinoza
Reviewed by Jessica Sequeira It seems a terrible irony: a poet who primarily dedicated her work to a Beloved, one whose verses seem written with joy and melancholy rather than malice, is born with a surname that means hate. But no, already it’s a mistake to start from signification. Let’s think into this a different […]
Glossing a Vanished World: S. An-sky’s Pioneers, Translated by Rose Waldman
Reviewed by Ellen Cassedy On a dark afternoon in the late 19th century, a lurching vehicle rounds the bend into a small Eastern European town: “A large, ungainly coach, a sort of Noah’s ark stuffed with passengers, lumbered slowly and with difficulty down the wide, muddy roads of the town of Miloslavka” (23). Out of […]
Sugar castles: I Remember Nightfall by Marosa di Giorgio, translated by Jeannine Marie Pitas
Reviewed by Jessica Sequeira The poems of Uruguayan writer Marosa di Giorgio (1932 – 2004) are luscious, dark and gorgeous — but they also leave the reader with a sickly taste, an effect similar to that following the rapid consumption of a bag of sticky sweets, gulped down one after another while in thrall to […]
Scattered Ashes: August by Romina Paula, translated by Jennifer Croft
Reviewed by Peter Hegarty In southern Argentina, where Paula sets most of the novel, August is bright and cold, and colder still in Esquel, the Andean mountain town to which the protagonist, Emilia, returns for the scattering of the ashes of her best friend, Andrea. The novel takes the form of an extended letter to […]
Hothouse Flower: Olvido García Valdés’s And We Were All Alive, translated by Catherine Hammond
Reviewed by Jessica Sequeira “There were those who compared her to Santa Teresa, others who said she was too serious, even sullen, and people who swore her pride was chilling to those who met her,” wrote Roberto Bolaño of Olvido García Valdés. When he read her work, however, it “dazzled [him] the way that only […]
SMOTHERED BY A STORY: PETER STAMM’S AGNES, TRANSLATED BY MICHAEL HOFMANN
Reviewed by Daniel Kennedy Although Agnes is the sixth of Peter Stamm’s books to be published in the US by Other Press in Michael Hofmann’s translation, it is in fact his debut novel. With this slim volume, first published in 1998, Peter Stamm established himself as one of the most promising Swiss writers of his […]
“island under our skin”: tasks by Víctor Rodríguez Núñez, translated by Katherine M. Hedeen
Reviewed by Kelsi Vanada I often find myself explaining my desire to translate by expressing that it is an inherently collaborative project, one in which my voice gets to support another’s. tasks, which was longlisted for the 2017 Best Translated Book Award, is the most recent, luminous product of years of collaboration between poet Víctor […]
Dream Brothers: Two New Novels from QC Fiction
Brothers by David Clerson, translated by Katia Grubisic, and Listening for Jupiter by Pierre-Luc Landry, translated by Arielle Aaronson and Madeleine Stratford Reviewed by Alex Andriesse American readers can be counted on to name at least three or four Canadian writers: Alice Munro, Margaret Atwood, and Michael Ondaatje come immediately to mind. Munro is from […]
Kernel of the Future: Hirato Renkichi’s Spiral Staircase, Translated by Sho Sugita
Reviewed by Jordan A. Y. Smith Spiral Staircase, an engaging collection of poems and works by the dynamo of Japanese futurism, Hirato Renkichi, ably fulfills the translator and editor’s declared mission: “providing English-language readers a focused survey of Hirato’s life-long literary output” (8). Considering the brevity of his life (1893-1922), Hirato accomplished much, experimenting with […]
Close Encounters in the Capital of Yiddishland: Vilna My Vilna by Abraham Karpinowitz, translated from the Yiddish by Helen Mintz
Reviewed by Ellen Cassedy Prostitutes, thieves, racketeers, and gangsters populate the short stories of Abraham Karpinowitz. But as translator Helen Mintz points out, the main character in his work is the city itself. “Vilna” to the Jews, “Wilno” to the Poles, “Vilnius” to the Lithuanians, it was a polyglot city, the site of multiple “crossings” […]
